Black and White in Photoshop CS3 and Photoshop Lightroom: Create stunning monochromatic images in Photoshop CS3, Photoshop Lightroom, and beyond
16 January
Black and White in Photoshop CS3 and Photoshop Lightroom: Create stunning monochromatic images in Photoshop CS3, Photoshop Lightroom, and beyond
Black and white photography has come a long way in the digital world. Feeling overwhelmed by the endless conversion options in (and around) Photoshop, Lightroom and beyond? If so, you are not alone, and this is definitely the book for you!
In this thoroughly up-to-date book that covers all of the new features of Photoshop CS3 and Lightroom, you’ll learn how to use methods within an application or raw converter, scripts, plug-ins, and more. Leslie Alsheimer and Bryan O’Neil Hughes show you everything you need to know to uncover the secrets to successful black and white conversion and printmaking. Let the stunning images (presented in both color and black and white) show you just what is possible when you master these powerful tools.
Bryan O’Neil Hughes is a Product Manager for the Photoshop team, and a Product Evangelist for the Photoshop Lightroom Team. Working for Adobe since 1999, Bryan has helped test, develop, drive and demonstrate Adobe’s digital imaging applications. Beyond Adobe, Bryan is a published photographer, editor and author.
Leslie Alsheimer is a freelance photographer, and photo educator based in Santa Fe, New Mexico. With the Santa Fe Digital Darkroom, Leslie travels around the country teaching photography, Photoshop and digital imaging workshops, as well as working with private clients as a creative imaging consultant, instructor, and trainer. She has worked extensively with many of the foremost digital image makers in the US. She is an instructor with the American Photo/Nikon Mentor Series and a member of the Adobe Beta Testing Team. Leslie is also the Director of Community Photography Outreach. Find out more about Leslie at: www.santafedigitaldarkroom.com/
What the readers are saying:
“I have a bunch of Photoshop and Lightroom books but yours is overwhelmingly the very best. Congratulations!”
-Leo Skogstroem
Pyttis, Finland
“I learned more about photoshop in the three days I spent studying your book than I did in the 5 years playing around with it on my own. Your coverage of Color Management solved many issues I’d been having in trying to get the printed image to look like what I was seeing on my monitor. What I learned from you is that I was doing just about everything wrong with regards to capture and destructive editing. I have now completely changed both my pre- and post production work flow habits with amazing results. As a writer and small-publisher, I give you many kudos on creating a book that is by all accounts a real home run.”
-Rick Miller
“I just wanted to write and say this is one of the best books I have ever read! I got it today and have spent all night reading it (it’s about 1 am now) and I’m almost half way through it. Everything makes so much more sense now. I just wanted to tell you great job! It has gotten me more excited about photography in six hours than otherwise in the last six years!
I really like your style and would like to “relearn” photography with your way of explaining. Thank you so much for writing this book. It’s the first time I’ve been impressed enough with a product to write the maker and thank them.”
-Zachary Miklich
Nashville, TN
“Long story short this is probably the best book that anyone in the digital world should put their hand to, it is far from being only about BW.”
-Patrick Lavoie
photo.net patron
“I am halfway through your new book on B&W in CS 3 and LR and I want to compliment you on a clear and concise treatise on CS3 and LR and your integrated workflow. Again, congratulations on an excellent book!”
-Jeff Peters
“I am enjoying your new book “Black and White”. It is rare to find so many wonderful images in a ‘How To’ book.”
-Robert Sachs
“I wish that I can tell you how I appreciate your contribution to making the digital darkroom something that I have fell in love with. Up to now I have used various books and sources: bits here and bits there. I have actually build up quite a library.
No one particular reference book addressed the B+W worker with some basic understanding of Photoshop. You have produced something that fills this gap, and which is written and illustrated in a remarkable manner.
I hail from the chemical darkroom, and as such have never really enjoyed correcting images on the computer. Photoshop, which is my program of choice, is quite intimidating, and the haphazard way in which I learned my skills from various sources, reflected in the inconsistent results that I was producing. Well, now all have changed. At least – something good is happening. I hope that you make a killing with your book – you deserve to!
Keep abreast of the distant ‘also-runners’ by releasing updates as the technology changes.”
-Andre du Plessis
(South African, living in London)
“Black And White In Photoshop CS3 And Lightroom explains in clear and easy to understand steps what it takes to generate quality black and white images using Photoshop and/or Lightroom. It is really geared for the intermediate to advanced user who is looking to understand both workflow and color management techniques.
There are a number of thing that I like about Black And White In Photoshop CS3 And Lightroom. First, I like the fact that it takes you down a number of paths on creating black and white images. It doesn’t just say this is the best way and so that is all you learn. Second, I like the step-by-step approach to guide you through what you need to do to get results like
this.
I think that if you want to become a master of Black and White photography then Black And White In Photoshop CS3 And Lightroom is highly recommended reading.”
-T. Michael Testi
Published January 25, 2008
Part of The Enlightened Image
. Learn from step-by-step tutorials and work through each conversion with clear, easy-to-follow instructions illustrated by a multitude of images and screengrabs
. Maximize image quality in capture and output with professional tips and tricks for speeding up your workflow
. Save time and learn professional techniques to creatively and technically improve your black and white photography and printmakingBlack and white photography has come a long way in the digital world. Feeling overwhelmed by the endless conversion options in (and around) Photoshop, Lightroom and beyond? If so, you are not alone, and this is definitely the book for you!
In this thoroughly up-to-date book that covers all of the new features of Photoshop CS3 and Lightroom, you’ll learn how to use methods within an application or raw converter, scripts, plug-ins, and more. Leslie Alsheimer and Bryan O’Neil Hughes show you everything you need to know to uncover the secrets to successful black and white conversion and printmaking. Let the stunning images (presented in both color and black and white) show you just what is possible when you master these powerful tools.
Bryan O’Neil Hughes is a Product Manager for the Photoshop team, and a Product Evangelist for the Photoshop Lightroom Team. Working for Adobe since 1999, Bryan has helped test, develop, drive and demonstrate Adobe’s digital imaging applications. Beyond Adobe, Bryan is a published photographer, editor and author.
Leslie Alsheimer is a freelance photographer, and photo educator based in Santa Fe, New Mexico. With the Santa Fe Digital Darkroom, Leslie travels around the country teaching photography, Photoshop and digital imaging workshops, as well as working with private clients as a creative imaging consultant, instructor, and trainer. She has worked extensively with many of the foremost digital image makers in the US. She is an instructor with the American Photo/Nikon Mentor Series and a member of the Adobe Beta Testing Team. Leslie is also the Director of Community Photography Outreach. Find out more about Leslie at: www.santafedigitaldarkroom.com/
What the readers are saying:
“I have a bunch of Photoshop and Lightroom books but yours is overwhelmingly the very best. Congratulations!”
-Leo Skogstroem
Pyttis, Finland
“I learned more about photoshop in the three days I spent studying your book than I did in the 5 years playing around with it on my own. Your coverage of Color Management solved many issues I’d been having in trying to get the printed image to look like what I was seeing on my monitor. What I learned from you is that I was doing just about everything wrong with regards to capture and destructive editing. I have now completely changed both my pre- and post production work flow habits with amazing results. As a writer and small-publisher, I give you many kudos on creating a book that is by all accounts a real home run.”
-Rick Miller
“I just wanted to write and say this is one of the best books I have ever read! I got it today and have spent all night reading it (it’s about 1 am now) and I’m almost half way through it. Everything makes so much more sense now. I just wanted to tell you great job! It has gotten me more excited about photography in six hours than otherwise in the last six years!
I really like your style and would like to “relearn” photography with your way of explaining. Thank you so much for writing this book. It’s the first time I’ve been impressed enough with a product to write the maker and thank them.”
-Zachary Miklich
Nashville, TN
“Long story short this is probably the best book that anyone in the digital world should put their hand to, it is far from being only about BW.”
-Patrick Lavoie
photo.net patron
“I am halfway through your new book on B&W in CS 3 and LR and I want to compliment you on a clear and concise treatise on CS3 and LR and your integrated workflow. Again, congratulations on an excellent book!”
-Jeff Peters
“I am enjoying your new book “Black and White”. It is rare to find so many wonderful images in a ‘How To’ book.”
-Robert Sachs
“I wish that I can tell you how I appreciate your contribution to making the digital darkroom something that I have fell in love with. Up to now I have used various books and sources: bits here and bits there. I have actually build up quite a library.
No one particular reference book addressed the B+W worker with some basic understanding of Photoshop. You have produced something that fills this gap, and which is written and illustrated in a remarkable manner.
I hail from the chemical darkroom, and as such have never really enjoyed correcting images on the computer. Photoshop, which is my program of choice, is quite intimidating, and the haphazard way in which I learned my skills from various sources, reflected in the inconsistent results that I was producing. Well, now all have changed. At least – something good is happening. I hope that you make a killing with your book – you deserve to!
Keep abreast of the distant ‘also-runners’ by releasing updates as the technology changes.”
-Andre du Plessis
(South African, living in London)
“Black And White In Photoshop CS3 And Lightroom explains in clear and easy to understand steps what it takes to generate quality black and white images using Photoshop and/or Lightroom. It is really geared for the intermediate to advanced user who is looking to understand both workflow and color management techniques.
There are a number of thing that I like about Black And White In Photoshop CS3 And Lightroom. First, I like the fact that it takes you down a number of paths on creating black and white images. It doesn’t just say this is the best way and so that is all you learn. Second, I like the step-by-step approach to guide you through what you need to do to get results like
this.
I think that if you want to become a master of Black and White photography then Black And White In Photoshop CS3 And Lightroom is highly recommended reading.”
-T. Michael Testi
Published January 25, 2008
Part of The Enlightened Image
. Learn from step-by-step tutorials and work through each conversion with clear, easy-to-follow instructions illustrated by a multitude of images and screengrabs
. Maximize image quality in capture and output with professional tips and tricks for speeding up your workflow
. Save time and learn professional techniques to creatively and technically improve your black and white photography and printmaking
Deblurring Images: Matrices, Spectra, and Filtering (Fundamentals of Algorithms 3)
5 January
Deblurring Images: Matrices, Spectra, and Filtering (Fundamentals of Algorithms 3)
“The book’s focus on imaging problems is very unique among the competing books on inverse and ill-posed problems. …It gives a nice introduction into the MATLAB world of images and deblurring problems.”
— Martin Hanke, Professor, Institut für Mathematik, Johannes-Gutenberg-Universität. When we use a camera, we want the recorded image to be a faithful representation of the scene that we see, but every image is more or less blurry. In image deblurring, the goal is to recover the original, sharp image by using a mathematical model of the blurring process. The key issue is that some information on the lost details is indeed present in the blurred image, but this “hidden” information can be recovered only if we know the details of the blurring process. Deblurring Images: Matrices, Spectra, and Filtering describes the deblurring algorithms and techniques collectively known as spectral filtering methods, in which the singular value decomposition—or a similar decomposition with spectral properties—is used to introduce the necessary regularization or filtering in the reconstructed image. The concise MATLAB® implementations described in the book provide a template of techniques that can be used to restore blurred images from many applications. This book’s treatment of image deblurring is unique in two ways: it includes algorithmic and implementation details; and by keeping the formulations in terms of matrices, vectors, and matrix computations, it makes the material accessible to a wide range of readers. Students and researchers in engineering will gain an understanding of the linear algebra behind filtering methods, while readers in applied mathematics, numerical analysis, and computational science will be exposed to modern techniques to solve realistic large-scale problems in image processing. With a focus on practical and efficient algorithms, Deblurring Images: Matrices, Spectra, and Filtering includes many examples, sample image data, and MATLAB codes that allow readers to experiment with the algorithms. It also incorporates introductory material, such as how to manipulate images within the MATLAB environment, making it a stand-alone text. Pointers to the literature are given for techniques not covered in the book. Audience
This book is intended for beginners in the field of image restoration and regularization. Readers should be familiar with basic concepts of linear algebra and matrix computations, including the singular value decomposition and orthogonal transformations. A background in signal processing and a familiarity with regularization methods or with ill-posed problems are not needed. For readers who already have this knowledge, this book gives a new and practical perspective on the use of regularization methods to solve real problems. Preface; How to Get the Software; List of Symbols; Chapter 1: The Image Deblurring Problem; Chapter 2: Manipulating Images in MATLAB; Chapter 3: The Blurring Function; Chapter 4: Structured Matrix Computations; Chapter 5: SVD and Spectral Analysis; Chapter 6: Regularization by Spectral Filtering; Chapter 7: Color Images, Smoothing Norms, and Other Topics; Appendix: MATLAB Functions; Bibliography; Index.
Fearless Editing: Crafting Words and Images for Print, Web, and Public Relations
4 January
Fearless Editing: Crafting Words and Images for Print, Web, and Public Relations
Fearless Editing clearly articulates the basic concepts underlying editing techniques and demonstrates their application for newspapers, public relations, magazines and Web pages. This text takes a conceptual approach that integrates verbal skills with visual elements. Unlike other texts that are clearly designed for print, this book includes multi-media applications in every chapter.